Joan Becker
Philadelphia, PA
http://www.joanbecker.com/My personal interest lies in the selection and combination of color, development of shapes, construction of composition, and clarity and sensitivity of line. With all these elements I am able to tell a story.
I am a painter who is passionate about the physicality of color. To me, and I trust the viewer, there is a visual, physical sensation that occurs when one color is next to another - in harmony. Color, its ability to be luminous, changeable, intensely symbiotic, and symbolic, stimulates at a very primal and intuitive place. To build a painting I find a couple of colors that work together (for example: an orange and a lime-green) - then I mix and place more colors next to each other - a third, a fourth, and a fifth - always experimenting, always searching for new color combinations and juxtapositions, to delight the eye.
Many works are color prisms that break apart realistic forms to reveal abstraction. It is a goal to continue to search for ways to abstract figuration through color.
The colors live in shape and space. The color, shape, and space create air and light in a painting. Colors, in conjunction with line, are all considered when I compose a painting. Through shape and spatial change, there is a conscious attempt to create shifts in perspective back and forth from two and three dimensions.
The figure, still life, and nature paintings make-up my current portfolio. In my figure paintings, I work to create a sense of presence that is both whimsical and psychological. One of my goals is for the viewer to have a moment of recognition, to connect to the story, in ways that deepen our shared sense of the human condition. A good figure painting informs the viewer and creates a personal and intimate connection between the painting and the viewer.
My still life and nature work provide my personal viewpoint of everyday objects. The nature paintings are of plants picked on the way to the studio. They are amassed, overlapped, painted in collage fashion to create immersion, a swallowing up feeling by the natural world, like when one is in a field of high grasses. In contrast, my still-lifes are intended to infuse new meanings into inanimate objects, in ways that are both, humorous and joyful.
For me, the eye/brain stimulation that occurs when one sees an exciting painting is like smelling and tasting a delicious meal or listening to a beautiful piece of music. The sensation can be very intense and memorable. It is always my goal to create this type of painting.
IMAGE: Bird Song, 2010, watercolor
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